Opera News

As Rosalinde, in Die Fledermaus

“…blossoming in real time as the evening progresses. This was the case with Haley Sicking’s creamily sung Rosalinde and Shana Grossman’s cut-glass Adele. Both sopranos started off perfectly capably, but came into their own in Act II. Sicking’s Rosalinde, liberated behind her feathered mask, tapped into the character’s canny side and was a worthy adversary for her philandering husband.” – Opera News